# Relationship formation

both Boys and Girls are "in sequence".   What changed was the relationship the dancers have with their partners. At first glance, you might say the following two diagrams differ in Orientation, but in fact they have the same Orientation and differ only in Occupation. The same is true of the girls..   I tried to make the most rational choice for assignments based on general trends.

## Outline and evaluate one model of …

. When the sequence is symmetric, knowing were one boy is automatically establishes where his mirror opposite is - diagonally across the square from him, equidistant from the flagpole center of the square.   The caller may then call any symmetric choreography and this Sequence Symmetry will persist.   "Sequence" as defined by Callerlab refers to the boys' and girls' sequence collectively.   There are different kinds of symmetry. Symmetry describes a specific kind of balance.   The simplest way to illustrate relationship is to start with a squared set and have everyone and Circle To The Left. See more of my site! - click here   Richard Reel   Hayward California USA. Sequence and Sequence Symmetry Here is an illustration. See FASROO for a focused look at Orientation and Occupation notation. Relationship Relationship is how the boy sequence is related to the girl sequence -or- how a reference dancer is positioned relative to his or her partner.   In fact, these symmetries exist at times.

## Biological Approach- Relationship …

.   However if the call was Heads Trade, the result would be quite different in the two cases.   It indicates that when some condition exists on one side of the formation, it exists on the other side as well.

## The Basic Plan for the Ongoing Formation of Priests

.   Dancer mistakes causing this type of asymmetry are usually very difficult to detect and correct.   See Arrangement Diagrams for the specific assignments.   Each boy has his partner girl to his right.

Once the formation, arrangement, and sequence are specified, there is yet another piece of information we will need before we can call an Allemande Left or Right and Left Grand, etc. Reference boy adjacent to his opposite girl.   If a caller avoids all gender dependent calls, and calls to this square, any sequence asymmetry will persist.

## Examination of Conscience for Youth-Revised 2-2-10

.   Without mistakes, each dancer dancing symmetric choreography dances the exact same parts of every call, enjoys the same flow, and solves the same part of the "puzzle" as their mirror opposite. Formation Symmetry If the square has Formation Symmetry, that means if one dancer is on a given spot, facing a given direction, another dancer is automatically on the mirror opposite spot in the formation, and is facing the opposite direction.   Now call Put The Ladies In And The Men Sashay. Reference boy adjacent to his. Even with all of these ways the square can be asymmetric, almost all choreography is symmetric meaning that all of these symmetries exist at all times. Relationship formation.   This sort of swapping does not affect formation nor arrangement, but it does affect sequence and sequence symmetry. If the call was Centers Star Thru and , there would be no difference - all end at home.   Usually this other dancer is the first dancer's diagonal, or mirror opposite - the same gender dancer that is directly across the square when squared up at home.   Let's arbitrarily choose a formation and an arrangement and then let same gender dancers mill around and randomly exchange places with other same-gender dancers.   It is possible, and in fact interesting at times, to have 'Asymmetric Choreography' that deliberately upsets one or more of these symmetries causing certain kinds of imbalance in the square.   Symmetry says the other half will be a mirror image copy of the first half. Arrangement Arrangement is where the boys and girls are within the formation. both Boys and Girls are "out of sequence".   It is important that reference dancers be chosen based on positions within a formation, rather than by any one specific dancer throughout the tip, otherwise Relationship will depend on the Sequence, and that would be undesirable.   I detail the method I used for each of these formations in Arrangement Diagrams.   That imaginary line used to determine sequence will never connect these mirror opposite dancers consecutively - there will always be another dancer between them. Arrangement Symmetry If the square has Arrangement Symmetry, all mirror opposite dancers, as described above, would be the same gender. Callers typically end dance sequences with Promenade Home which instructs the dancers to Promenade as far as necessary to reach home, thus eliminating the need to worry about Orientation. The trailing couple Parallel R-H Waves.   There are convenient choices one can make, but ultimately the choice is somewhat arbitrary.   Occupation only comes into play if the caller uses Heads or Sides or couple numbers for a designator.   But each boy no longer has his partner girl to his right. Relationship journal prompts. Other orders are also possible, but such orders are.   The difference is that in one case the Reference Boy was a Head, and the other, a Side.   If you drew a line between mirror opposite dancers, the line would always cross the flagpole center of the formation and the flagpole center would be at the midpoint of this line between them. Boys are "in sequence", Girls are "out of sequence".   Three important kinds are: Formation Symmetry, Arrangement Symmetry, and Sequence Symmetry. Here are just a few examples of asymmetric sequence.   If the dancers don't make any mistakes and dance what is typically called at most open dances, of these symmetries exist at the same time

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