Relationship b/w banker and customer

She protests, then realizes the kind of performance they are watching is the key to her dilemma in the show. Daniel Massey, who portrayed Noël Coward, was Coward's godson in real life. The gala screening reunited many cast members with the Director Robert Wise, Producer Saul Chaplin, Choreographer Michael Kidd, Dance Assistant Shelah Hackett Kidd, and Julie Andrews, who was welcomed by a standing ovation from a packed house. He threatens to fire her, but stage manager Jack Roper intercedes and gets her hired as a general understudy to the leads. In reality Rose was a chorus girl not much older than Lawrence, and she remained in the UK. The Twentieth Century-Fox logo was seen only as part of that newsreel, not as part of the actual film, and appeared only in black-and-white. Philip Astley, is identified as Sir Tony Spencer on screen, and the Wall Street financier named Ben Mitchell in the film was really Bert Taylor. Squired by Spencer, she becomes a 'society darling'. Coward pronounces him "a very clever man". Back on Broadway, she has trouble getting a handle on a crucial "The Saga of Jenny" number in.

She reunites with close childhood friend Noël Coward who provides witty commentary on Gertie's actions. Following instructions from Zanuck, William H. occasionally sags between musical numbers but the cast and team of redoubtable technical contributors have helped to turn out a pleasing tribute to one of the theatre's most admired stars. So should people who like Julie Andrews. Relationship b/w banker and customer. Max Lamb did extensive research, including numerous interviews with people who actually had known Lawrence. When he returns to escort the hungover star home, he gives an honest appraisal of her. Aldrich turns up at a daunting rehearsal where he observes her frustration and takes her, with Coward, out to a nightclub. Her upper-class Guardsman boyfriend, actually Capt. Fairchild's screenplay renamed, replaced or combined some real people, for dramatic and legal reasons. The only credits seen at the beginning were fictitious – those of the newsreel film within the film – about Gertrude Lawrence, which, after an onscreen overture, is the first thing the audience viewing the film sees. Andrews has said that her lasting friendship with Kidd and his dance assistant/wife Shelah is one of the things she valued most from the experience. A very simple new title card was created as well. Sales were higher for Wednesday matinees than for Saturday nights, which indicated that a crucial component-young adults-would not be a large part of the picture's audience. Eventually she joins the chorus in André Charlot's West End revue. However at the last minute, a cast of characters roll was added. This was a far more ambitious project; it backfired, but it backfired with a certain amount of honour. Michael Kidd choreographed the musical sequences. He proposes marriage; she throws him out.

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. Wise then asked Fairchild to find the name of another female performer Gertie had worked with, who was already deceased. Wise, who did not believe cutting the film would work, declined to be involved in the editing, and asked that the credit "A Robert Wise Film" be removed. It became clear that the interviews provided a more accurate account than the obviously rosy picture in the books, so they became the basis for the screenplay. People who like old-style musicals should get their money's worth. When Lawrence reconnects with her wayward father in the film, he is performing in music halls with a mature woman who joins him when he departs for a job in South Africa. Relationship b/w banker and customer. As her career soars, her long-distance relationship with her daughter deteriorates. She is insulted, then intrigued by him, making an unannounced visit to his Cape Playhouse where she proposes to play the lead. Charlot and Roper witness the audience's warm approval, and both realize, Charlot grudgingly and Roper wistfully, that Gertie belongs on the stage.

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. At a time when the popularity of roadshow theatrical releases in general, and musicals in particular, were on the wane, the United States was one of the last countries in which the film was released. Caught at a chic supper club when she is supposed to be on a sick day, she is fired from the Charlot Revue. Coward then convinces Charlot to feature her in his new production, and she is finally recognized as a star. Two of Lawrence's closest friends, Noël Coward and Beatrice Lillie, were approached regarding the rights to portray them in the film. Dating a hasbian. Director Robert Wise had to obtain special permission for putting the main title credits at the end of the film. His performance earned one of the seven Academy Award nominations for the film. Daniel Massey's mincing portrayal of his godfather Noël Coward wins hands down over all the other impersonations." thought "it deserved a better fate for its enormous score, top-flight production, excellent choreography, and fine acting".

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. Long after laserdiscs stopped being a current format, fans have stated in some forums that they still preferred to watch the laserdisc rather than the DVD. Massey quotes Coward saying "I've tried it all, from soup to nuts." confirming his preference for the latter. The screenplay by William Fairchild is based on the life and career of British performer Gertrude Lawrence. As neared completion, director Robert Wise and producer Saul Chaplin had grown so fond of Julie, that they wanted to make sure that their team would be the one to pick up the studio's option for the other picture "before anybody else got to her first". Massey's commentary also recounts a conversation in which Coward addressed his own sexual orientation, which is barely hinted at in the film. After their daughter Pamela is born, Gertrude is angered when Roper takes the baby on a pub crawl, and leaves him. Within a week, it was broadcast in the United Kingdom at its original length, with only the overture and entr'acte eliminated. The studio then proceeded to substantially cut and re-market the film under a new title, Those Were the Happy Times. Among the people insulted at the party is American theatre producer Richard Aldrich. While Coward was generally supportive, suggesting only small alterations to his character's dialogue, Miss Lillie had a "manager" who demanded that she play herself, in addition to numerous script changes that enlarged her role. Kevin Thomas of the described the film as "stylish, sharp-edged, and underrated". On screen, Lawrence's first husband Jack Roper is roughly her age, whereas in real life his name was Francis Gordon-Howley and he was twenty years her senior. The film opened in the US with little advance sale, and good-to-mediocre reviews. While pregnant, she insists on going on for an absent star, and captivates the audience with her own star-making performance of "Burlington Bertie". She marries Jack, but it becomes clear she is more inclined to perform onstage than stay home and play wife.

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. Because of its late inclusion, it was not scored, a detail that was corrected for the first laserdisc and VHS release after consulting with the producer and director. Gertrude faces financial ruin after spending all her considerable earnings, but ultimately manages to pay back her debtors and retain her glamour. When the revue opens in New York City, she dallies with an actor and a banker, bringing the number of her suitors to three. All this attention has earned a reputation as an underrated "lost classic" and a cult favorite. Wise felt it was important to hire a British screenwriter, and decided on William Fairchild. Boris Leven was responsible for the outstanding production design and his realistic sets took over nine different stages on the Fox lot. One unusual feature about the uncut original version of the film was that, like many released today, it had no opening credits. A subsequent courtship with Sir Anthony Spencer, an English nobleman, polishes Gertie's rough edges and transforms her into a lady. But people who liked Gertrude Lawrence had better stick with their record collections and memories." said, "Julie Andrews' portrayal. When Pamela cancels an anticipated holiday with Gertie, she gets extremely drunk and insults a roomful of people at a surprise birthday party thrown by Coward. In his commentary for the laserdisc and DVD release of the film, Massey reveals he was unhappy with the sound of his voice when he saw the film for the first time. Charlot becomes annoyed with Gertie's efforts to stand out, literally, from the chorus. Billie Carleton became the composite character that replaced Miss Lillie in the film. Both he and Andrews have talked about his pushing her beyond what she thought her limits were, particularly for "Burlington Bertie" and "Jenny"-which turned out to be among her best moments on film